get in touch

** I am unavailable for freelance work until January 2014 **

If you'd like  to get in touch about a freelance project or just to say hi, please send me a message using the form or via twitter at @ivonnekn.

~ Ivonne

 

 

 


Milton

Designer and illustrator specializing in brand identity design, web design and UI/UX design, based in Toronto via Milton.

Journal

From Me To You

Ivonne Karamoy

Meet Jamie, a NYC based photographer, whose blog, From Me To You, I was introduced to thanks to Smashing Magazine. I don't have an image here to show you because they are her beautiful images. I wouldn't do them justice anyway because you have to visit her blog and really get a feel for it - everything from the photographs and her tumblr theme is magical :)Just go visit it! NOW...

Her work is clearly a reflection of her interests: vintage cameras and classic images. I absolutely fell in love with her photographs! What's even better is her use of animated gifs to bring to life her beautiful photographs and create a certain ephemeral quality about them. These images move, subtly and beautifully. But the quality of her work is evident in the photographs themselves. Yes they move, but they are beautiful even without it.

Anyone can use this technique by combining jpegs and animated gifs but I love Jamie's work for the images themselves. It's just a bonus when you see a flutter of a piece of fabric on a beautiful dress or a lock of hair swaying across a model's face... And, as a shoe lover, how bout those Louboutins shimmering in all their beauty?! Her images of fashion week are so delicious. I love all the behind the scenes moments and the images of the garments just waiting to be taken down the runway.

Jamie, you have made me a fan. I am in love with your work and I can't wait to see what other images you come up with! I wish I could buy them all - actually I wish I were the creator of those images! Jealousy is the best form of flattery :)

If you want to know how this animated photography technique is done, check out this article Positioning an animated gif over a jpg image.

The New AlexShakar.com

Ivonne Karamoy

About a year and a half ago I was contacted by Alex Shakar, who I met while I was in New York working at EFS, to do illustrations for his upcoming novel. His previous works have garnered critical acclaim and he is an accomplished author and professor. Fast forward to today and that novel is being published with a release date of August 2011! Congratulations Alex! Upon this years release, Alex contacted me again to redesign his website and I am honored that he would come to me to complete his vision. Alex was a pleasure to work with as he was patient and always available for collaboration. Together we came up with a redesigned website that reflected the elegance, simplicity and artistic vision he had in mind. We also architectured the site around Wordpress so we could allow him to post updates and appearances around the new novel easily. He was very happy with the new site and I am grateful to have had the opportunity to work with Alex once again.

Check out alexshakar.com and discover his writings. You can also preorder your copy of the upcoming novel, Luminarium, now!

Wow.

Ivonne Karamoy

You can finally get the music here : http://itunes.apple.com/us/album/color-in-your-hands-ep/id425346042 ----- Wall painting by Supakitch and Koralie at the VÄRLDSKULTUR MUSEET GÖTEBORG / SWEDEN With the support of POSCA www.supakitch.com & www.koralie.net ----- Video by elroy : www.elroy.fr ----- Music by DLid (quatre rec. / Leonizer) : www.myspace.com/dicklaurentisdead ----- http://metroplastique.com - Collection Grand Cru available on October 1st CHECK ALL METROPLASTIQUE UPDATES ON THE FACEBOOK PAGE : http://www.facebook.com/metroplastique#!/pages/METROPLASTIQUE/172834136271?v=wall&ref=ts ----- ----- SUPAKITCH, KORALIE, ELROY & DLiD are represented by OneLouder. agency http://onelouderagency.com/ ----- -----

I came across this while reading one of my favorite artist's blogs, Eliza Mazzone, and I just had to share. This is incredible video of artists SupaKitch and Koralie at work on a large wall piece. I think it is absolutely stunning and you can see from the video just how intricate their work is. It's work like this that inspires me to create and get back to my art. Graphic design work is wonderful, but there's something about drawing/painting that is magical.

SUPAKITCH & KORALIE - VÄRLDSKULTUR MUSEET GÖTEBORG from elr°y on Vimeo.

Mission US: Mission 1 Full Launch

Ivonne Karamoy

musnapshot.jpg

I've taken a bit of a hiatus the last couple of months to focus on non-work related things. So this is a bit delayed but important nonetheless...

Mission US has officially launched nationwide (in the US)! It's a project that I've been enthusiastically working on through EFS as creative director and lead artist and I'm thrilled everyone gets to see it. When we first tested it in schools I got to see first hand how the kids reacted and they were so excited learning history in this way. It made me feel honoured to have worked on this project. I think Mission US is revolutionizing the way our kids learn in schools.

Check it out! http://www.mission-us.org/

Download the game and try it out, or explore the website! Even if you're not an American middle-schooler :)

Now that Mission 1 is fully launched we are working on Mission 2 and though I can't say much about it, what I can say is that I'm very excited as we've already started art production for our characters and locations!

After my hiatus, I'm back to full on work mode and there will be more coming...

How to be a More Efficient Designer

Ivonne Karamoy

As a designer, I know what it's like to start designing and be so focused on getting your design done and tweaking it just right until you've created something that you and your client are happy with. I get into the zone when I design and I'm jumping from layer to layer, resizing elements, adding layer effects, etc. At the end of the day you don't necessarily have time to be as organized as you can be. Your process is your process and it works for you. But last week I was closing up my files and organizing my designs at EFS to allow for the next Art Director to take over. And let me tell you that opening up some of those designs was annoying and I have myself to thank. It was especially annoying because I remember working on some of them and making a mental note of how to make my files and designs more organized. So now I turn my mental notes into actual ones. As I worked on my EFS files while following these tips I felt so much better - more organized and more effective and efficient! Trust me, it's worth the time and saves you the mental battle. Here goes...

Name It!

Name your files, folders and layers. It is one of the most annoying things when you open up a photoshop document and the layers are named "layer 1" or "layer 44". What does that mean?! Even if you've worked on the file yourself doesn't mean you'll remember all those layers. It just saves you the time that you would use to familiarize yourself with the file. If nothing else, group the layers and name the folders that you group these layers into and make it descriptive but short. When naming your files, make it descriptive and short too. And if you have multiple versions of files, make sure you indicate which one is the master one. Now before people comment on this one, I know people are divided on this issue - some think it's a complete waste of time and others greatly appreciate it. I am in the latter group (obviously) and this is one designer's opinion.

Use Smart Objects

Whenever possible, design your elements as vectors or large images and import them into Photoshop as Smart Objects. This will allow you to resize these elements easily and as often as you want without losing quality. This will increase your file size but it's worth it! I've opened up other designer's files to work on them and realized that I can't enlarge their elements as I need to because they've flattened their vector objects.

Hide Your Layer Effects

I wouldn't say you need to do this while you're working on your photoshop files, but it's helpful at the end of the day or when you close out a design. Click that little arrow where you have your layer effects and hide it. It makes looking through your layers and familiarizing yourself with your files so much easier the next day or the next time you refer to them.

Use Layer Comps

This is one of those Photoshop tools that I discovered later than I would have liked. Layer comps are one of the most useful tools in Photoshop. It is especially useful if you're designing for interactivity. If you don't know what it is or have never used it I suggest you get familiar with it. It makes creating mockups of your designs so much easier because it remembers the state of your layers.

Design Bigger

I find designing for a larger resolution than you intend to is always better. Especially if you're doing a lot of your design work in Photoshop on flat layers. If you're working with mainly vector elements then it's not so much of an issue. But working at a larger resolution gives you the flexibility of going bigger. What if your client all of a sudden wants to deliver their project for 1024x768 and not 800x600 as they originally wanted?

Keep Text Layers

Do not rasterize your text layers whenever possible. This gives you the flexibility of changing your text layers as you want. If you're delivering the file over to another designer and font availability is an issue then by all means flatten it. But keep a copy of the original text layer when you can.

Delete Unused Layers

My design files usually have layers that I keep around in case I want to go back to that design, but most of the time when I've moved on from a certain look, I've moved on and never come back. So it's good to clean up your files. This goes for Photoshop files and also your CSS documents. This isn't always feasible on a day-to-day basis but even if you do this at the end of the project when you've finalized your design it's good practice. It can also reduce your final file size.

Invest Time Into Your Workspace

By this I mean your graphic editing software. Take the time to set up your workspace in Photoshop (or your favourite graphic app). This includes adding brushes, styles and effects plug-ins. This will make designing a lot easier because you can use and reuse styles, mix and match them, add your favorite effects, etc.

Know Your Development Environment

As a designer/developer, I consider what it means to have to develop and deliver a design myself. It's good to know who your clients are and who your target audience is. If file size is important then you can reduce your designs to the effects that are needed and make a difference as opposed to "nice-to-have" polish. You should also consider how to create the design programmatically. If it can be reduced to code then that's more efficient than slicing every element into images.

All that being said, I won't pretend to follow these tips 100% of the time. I know there are time constraints, deadlines, whatever. But I also know now that it will make my life (and other designers that have to see my design files) easier if I do.